TAKE A LOOK

TAKE A LOOK

TAKE A LOOK

Jataka

A book about the Buddha’s many lives

A book about
the Buddha’s many lives

Sacred Stories Reimagined for Universal Appeal

When Bodhiförlaget approached me about designing a new edition of the Jataka stories — tales of the Buddha’s former lives — they faced a unique challenge. The original children's edition had found its audience, but translator and illustrator Veronica Leo envisioned something broader: a version that could speak to readers of all ages without losing the stories’ spiritual depth.

The Jataka tales occupy a unique position in Buddhist literature: they’re teaching stories that use narrative and moral lessons to convey profound spiritual principles, yet they’re accessible enough for children to understand. Creating a design that could serve both contemplative adult readers and younger audiences required balancing sophistication with approachability, maintaining the stories’ inherent wisdom whilst ensuring the visual presentation didn’t alienate either demographic.

Client
Bodhiförlaget

Product
Soft cover book

Scope
Design, layout and typesetting

Illustrations
Veronica Leo

How do you elevate a children’s book format into something that appeals to adult readers whilst preserving the accessible, illustrated storytelling approach? The content itself presented additional complexity: each story required two distinct voices: Veronica’s translation of the ancient tales and editorial commentary that contextualises them for modern readers.

Working closely with Veronica Leo, I developed a design strategy that honoured her original gouache illustrations whilst adapting them for contemporary book production. Her two-colour originals, black ink and gold gouache, captured exactly the spiritual richness these stories deserved. The physical format itself, incorporating cover flaps, reinforces the book’s positioning as a quality edition that bridges children’s accessibility with adult sophistication.

To preserve that handcrafted quality in print, we chose Pantone gold rather than CMYK reproduction. This decision maintained the luminous quality of the original gold whilst ensuring consistent colour reproduction, essential for conveying the spiritual significance embedded in the visual storytelling.

The typography system uses two distinct typefaces to clarify the book’s dual voices: one for the translated stories themselves, another for the explanatory commentary. This typographic hierarchy allows readers to engage with the ancient narratives whilst accessing modern interpretation when needed.

The generous layout, with ample white space surrounding both text and illustrations, creates a contemplative reading experience. This isn’t a book you rush through. It’s designed to be savoured at the kitchen table, inviting readers to pause and reflect on wisdom that has guided people for over two millennia.

© Westerlund Design

© Westerlund Design

© Westerlund Design

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